“Beloved of Gods and men…”

This is the next in a series of blogs I am have decided to do, providing textual analysis for the ritual prose known as The Charge of the Goddess.  Each quotes a section of material which I presented, with my co-author David Rankine, in the book Wicca Magickal Beginnings.  For your convenience, all posts on this subject has been tagged with “charge analysis” here on my blog, and I ask that comments and other remarks be posted directly onto the original blog http://www.sorita.co.uk/?p=998 — keep comments to the lines discussed in this blog only please (there are separate blog entries for the rest!)

The following two lines firstly describes the Goddess of Wicca as being “The Beloved of Gods and men” which as you will see are titles associated with the Goddess Aphrodite, but also with Baldur, the son of the God Odin in the Norse mythologies.  And then seems to hint at what happens to those who find themselves before this Goddess.  Though absolutely evocative and beautiful, we again see the influence of Aleister Crowley’s Law of Liberty in this text.

“and before my face, Beloved of the Gods and men,”

This is again probably original material.  Although almost certainly just coincidental, we thought it amusing to mention that this line is also found in a novel published in 1908 which has a character called Doreen in![1]

In Norse myths, Baldur, the son of Odin is often referred to as “beloved of Gods and men” which might have provided some inspiration for the use of the term; however this seems strange and unlikely considering he is male.  With these being words of the goddess this would be an inappropriate usage.  However, the Greek goddess of love, Aphrodite, was also sometimes referred to by the same title, and it is hopefully more likely that the author(s) of the Charge, may have taken their inspiration from this goddess rather than using the title of a male god.

“let thine inmost divine self shall be enfolded in the raptures of the infinite.”

Again this seems to be derived from two more quotes merged from the Law of Liberty: “He is then your inmost divine self” and “in the constant rapture of the embraces of Infinite Beauty”.  These quotes are in reference to words spoken by Hadit, the masculine divine in the cosmology of Thelema.  Thus it is being used completely inappropriately as words spoken by the Goddess, as in fact it originates in relation to the God.  This may indicate that the person compiling this version of the Charge was not familiar with Crowley’s work or philosophy, but thought of the words themselves as mere poetry to be used, as it would seem from this that the material used to compile the Charge was used regardless of its original context and symbolism, instead being purely utilised for its poetic and emotive effects.  This recalls Valiente’s remark in An ABC of Witchcraft that Gardner told her he “had supplied words which seemed to him to convey the right atmosphere, to strike the right chords in one’s mind.” If this is the case, then it could also support the idea that Gardner was the author, or one of the authors, of the original, as it seems to have been rewritten from the Lift Up the Veil charge.

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[1] Mary Ware: The Little Colonel’s Chum, Johnston, 1908

(c) 2010 Sorita d’Este.  This blog was written by Sorita d’Este for www.sorita.co.uk, all rights reserved.

Comments welcomed at http://www.sorita.co.uk/?p=998

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“and the Cauldron of Ceridwen, which is the Holy Grail of Immortality.”

This is the next in a series of blogs I am have decided to do, providing textual analysis for the ritual prose known as The Charge of the Goddess.  Each quotes a section of material which I presented, with my co-author David Rankine, in the book Wicca Magickal Beginnings.  The Charge is a beautifully evocative piece of prose which is used today by Pagans of all kinds of traditions, as well as of course in its original setting within initiatory Wicca – it is wrongly attributed to Wiccan authors, when in fact it is material primarily plagiarised from Aleister Crowley and Charles Leland.

For your convenience, all posts on this subject has been tagged with “charge analysis” here on my blog, and I ask that comments and other remarks be posted directly onto the original blog http://www.sorita.co.uk/?p=965 — keep comments to the lines discussed in this blog only please (there are separate blog entries for the rest!)

I am making this research available online in order to help raise awareness of the true origins of Wiccan ritual, for too long untruths have been perpetuated without question, even by leading experts in the field.  The truth about the origins of the practices found in the tradition is far far far more interesting than any of the people who made it famous!  Wicca is a distilled system of magical practice with roots going back many decades, sometimes hundreds and in some instances thousands of years before its public unveiling in the 1950′s – they say truth is stranger than fiction, and this is a clear example of exactly that!

The Rosicrucians and their rituals have become one of the modern trendy origins for the Wiccan rituals.  There is of course usually a fire when there is smoke, and this is true for the Rosicrucian connection – as it is for many others – but in this case its a minority source, which could have filtered its way in Wicca through a number of indirect sources.  The following line in the Charge is a possible Christian / Rosicrucian reference, but if it is, its less direct than the connection which exists for the majority of the Charge of the Goddess and the writings of Aleister Crowley and Charles Leland.

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“and the Cauldron of Ceridwen, which is the Holy Grail of Immortality.”

This seems to be original material.  The reference to the “Cauldron of Ceridwen” brings in another of the goddesses mentioned at the start of the charge.  The equation of the cauldron to the Holy Grail, a very Christian symbol, is somewhat puzzling and inappropriate, but it has a nice poetic ring and flows on naturally from the previous line which as we have shown was likely borrowed from Christian liturgy.  It is of course also a popular theme in the Arthurian and Grail Mysteries, which might have influenced the person(s)who compiled this piece, due to its inherently ’Celtic’ overtones.

Years later, in An ABC of Witchcraft (originally published in 1973), Valiente quoted from Hargrave Jennings’ The Rosicrucians, Their Rites and Mysteries in her entry for the Cauldron. In this, if indeed she was the author of these lines, she may have revealed her inspiration for their inclusion, but this is purely speculation on our part, and certainly is not an adaptation of words / phrases as found throughout the Charge. “We claim the cauldron of the witches as, in the original, the vase or urn of fiery transmigration, in which all things of the world change”[1]

The idea of immortality is raised in relation to the incarnation of the Goddess on Earth in Law of Liberty, as we have seen in regards to the inclusion of Melusine earlier with the phrase “Elixir of Immortality”

[1] An ABC of Witchcraft, Doreen Valiente, 1984

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If you want to read more, see the book Wicca Magickal Beginnings (ISBN  978-1-905297-15-3)  by Sorita d’Este and David Rankine.  See   http://avaloniabooks.co.uk/catalogue/titles/wicca_mb.htm for more information.

If you would like to add your comments, opinions or additional ideas to this article please do so on my website, where it will be available for others to read in future:  http://www.sorita.co.uk/?p=895

(c) 2010 Sorita d’Este.  This blog was written by Sorita d’Este for www.sorita.co.uk, allrights reserved.

Order a signed copy of Wicca Magickal Beginnings for £14.99 (with free P&P worldwide)